The budget already exists
Printing and distributing a weekly leaflet is a line item that is already approved and already spent, on a format that reaches fewer households every year. This is not a request for new budget.
Your offers, your prices, your store. Turned into designed short video for every branch, every day, from the price data you already maintain.
Printing and distributing a weekly leaflet is a line item that is already approved and already spent, on a format that reaches fewer households every year. This is not a request for new budget.
One template, every location, each with its own offers for its own local audience. Central material that every branch makes its own is how a group already works.
Each post is built from the same data that says what is in stock and what it costs, so an offer that has ended does not keep running.
These are renders out of the engine, not mock-ups. The same template lays itself out again for each shape rather than being cropped, so nothing that carries the information falls off the edge.
One composition, 5 of the languages it renders in. Nobody re-timed the text: the layout arranges itself around whatever the words turn out to be.
The fact already exists as data, somebody is meant to post about it today, and nobody has the hours. Three of the moments it happens, each with the source it reads and the template it draws.
The promotion plan is already a spreadsheet. On Monday morning it is forty clips.
The produce calendar turns itself into a weekly post, per region, without a photoshoot.
One recipe a day, with what it needs, priced from your own lines.
A designer draws a template once and the engine fills it thousands of times. Your brand decides the colours, the type, the logo and the legal line; the template decides everything else, in every ratio and every language at once.
Showing 25 of 25 templates.
One figure counts up to its value on a branded field, with unit, label and timestamp. The most reused primitive in the set: any single-value fact in the data table renders through it.
Comes in
A value with its change: direction, arrow and colour. Carries the absolute figure and the percentage together, which is exactly what the breaking rules ask for.
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Three figures revealed in sequence on one card. The shape almost every summary and performance post naturally takes, and the reason it is worth building once properly.
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Numbered rows with a logo or flag, a label and a value. The workhorse listicle, and the asset most likely to travel as a screenshot rather than as a view.
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Bars grow and reorder into their final ranking. Reads with the sound off and holds attention through the reorder, which is why it outperforms a static ranking of the same data.
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One card divided green and red, gainers on one side and losers on the other. Showing both is not a stylistic choice here: the performance rules require it.
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Two entities on the same axes, side by side. The two-sided shape that turns a contrast into the post rather than burying it in a list.
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The same period across many years, overlaid or averaged. Answers "what usually happens at this time of year", which is a question almost every vertical has a version of.
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A branded band carrying several values in sequence. Also the reusable furniture that sits underneath every other template, which is why it belongs in the first phase.
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One line on a branded field, typeset to fill the frame. The cheapest asset in the whole set to produce and the one that reliably pulls comments.
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A statement with attribution, typeset rather than screenshotted. Reposting someone else else's interface is the lazy version and it looks it.
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Term, plain definition, then one worked example. Three beats, always in the same order, which is precisely why it scales to hundreds of terms without new design work.
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The misconception, a beat, then the correction. A two-frame structure with unusually high completion, because the viewer stays for the answer.
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Days, hours or minutes to a fixed point, with the event named. Every dated thing in the data table renders through this one template.
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Three to six dated items in order with day markers. The week-ahead shape, and the one post that reliably gets saved rather than watched.
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A date, a historical fact and an image behind it. Evergreen, effectively infinite, and it needs no live feed at all, which makes it the safety net for a quiet news day.
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One logo or image, a name, one figure and a one-line factual reason. The single most reused card across all four verticals, which is why it is worth over-engineering.
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Product, previous price, current price and validity window. Needs an availability check upstream or it cheerfully advertises what is no longer on the shelf.
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Six to twelve items as a swipeable set or a rapid cut. One render produces both the carousel and the video, which is the clearest example of the variant-expansion argument.
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Ingredients, a price total and a method in four steps. The one template that ties offers, seasonal produce and product data into a single asset.
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A bounded area with a marker, a route or a shaded zone. Required for anything where the answer to the post is "where", which nothing else in the set can express.
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A district or region set against an average on the same axis. Handle with care: the same template that shows civic progress can read as ranking neighbourhoods against each other.
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What, where, when, and what has changed. This is the service-page shape the local newspaper ran every single day, rebuilt as a template.
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Logo animation, safe areas, caption block, disclaimer strip and end card. Invisible when it works, and the thing that makes forty different templates read as one channel.
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Not a template on its own but a layer: a photoreal or 3D scene sitting behind any of the others, keyed to region, season or category. Premium look at no cost to the numbers, because it never touches them.
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Subscribe a channel to one and its posts arrive without anybody writing a line. Your own systems arrive the same way, over the API, and render through the same templates.
Showing 24 of 24 data sources.
No external feed. A curated internal library of lines, concepts and prompts, authored once and re-rendered per brand, language and channel. Nothing here expires, so it fills the gaps between data-driven posts and keeps the cadence alive on quiet days.
It produces
It produces
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Pairs directly with seasonal produce and this week's offers, so one recipe library can be re-cut against whatever is cheap or in season.
It produces
Free, no API key and no rate limiting. Product-level data by barcode: ingredients, allergens, additives, Nutri-Score, packaging and brand. The only retail source here that needs no customer integration at all.
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No canonical API exists. Realistically a maintained table of produce against month and region, authored once and reused every year.
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Over 300 dated national and international days a year, every one known well in advance. Distinct from statutory holidays: nothing closes, but the hook is dated.
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MTS-K obliges roughly 15,000 German filling stations to report E5, E10 and diesel prices, and Tanterkoenig republishes it with a free key. Radius searches are capped at 25 km and one request a minute, which is irrelevant for a daily post.
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TVmaze is free for schedules. Gracenote, TV Media and EPG Service are the commercial options with deeper regional coverage.
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Three feeds behind one interface and no API key: On This Day, daily featured content, and the 50 most-read articles per day. The same endpoint exists in every language edition, which matters for a multilingual product.
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Not a data source. Template behaviours that run on top of any other row in this table, which is why they multiply the catalogue rather than extend it: build them once and every existing feed inherits them.
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Latitude and longitude are the whole input. No feed, no key, no licence and no rate limit, and it works in every country and every language. The cheapest recurring post in the catalogue.
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Pure ephemeris computation. Every event is deterministic decades ahead.
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It produces
One store, one week, built from your current offers. Small enough to say yes to without a meeting, and you judge it by what comes out.